It's been a while since I've been to a live gig that wasn't essentially in an arts centre. I'd forgotten how much London gig crowds are essentially an assemblage of colossal assholes.
In any London gig about one-third of the people are there to score drugs, one-third are there to meet friends and socialise and one-third are there because of, you know, those people on the stage.
You have to play pretty loud in London, because if you don't then half the audience will be talking loud enough to drown you out.
It reminds me of descriptions of Regency pleasure gardens and Sadlers Wells in the same period. Sure you have to have some entertainment to hang all this stuff off but really your just out to see people and be seen.
Sunday, February 09, 2014
Friday, February 07, 2014
Cate le Bon at the London Assembly Rooms
I've only encountered Cate le Bon as a recording artist before now, in that context you have a Welsh folky singer-songwriter with a chanteuse vibe. However within minutes of arriving on stage you have a very different take on the same music, all angular head flicks and fierce sharp rock from a jet-black Thinline Telecaster.
The sound has some of the Swansea, south coast Welsh psychedelic swirl along with the occasional freakout. For the most part it is fierce, controlled melodic lines in the style of Krautrock and the Velvet Underground.
The words and sounds remain accessible but the presentation defies expectations.
The sound has some of the Swansea, south coast Welsh psychedelic swirl along with the occasional freakout. For the most part it is fierce, controlled melodic lines in the style of Krautrock and the Velvet Underground.
The words and sounds remain accessible but the presentation defies expectations.
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